9.05.2007

Michael Franti @ Free Golden Gate Festival


On Saturday, September 8th, renowned and outspoken musician and filmmaker Michael Franti and his group Spearhead – along with Guerrilla Management – present the 9th Annual “911 Power to the Peaceful Festival” at Speedway Meadow in San Francisco’s Golden Gate Park. The free music and arts festival is dedicated to social justice, non violence, coexistence and environmental sustainability and aimed to educate, enrage, enlighten and inspire. It drew over 60,000 attendees in 2006.

Artists confirmed to appear alongside Anti- recording artists and headliners Michael Franti and Spearhead at the event include Indigo Girls, Lifesavas, and Hot Buttered Rum. The event will be hosted by Hard Knock Radio and broadcasted live on Pacifica station KPFA. Special guests and speakers will include journalist, author and Democracy Now! founder Amy Goodman, MOVE Member Mario Africa, and others.

In addition to the main stage of International Musical Artists and award-winning speakers, the PTTP Festival will also feature morning yoga, an open-air art gallery, a healing arts tent, vendors and food booths, an eco village, a bicycle coalition and social, environmental & political organizations tabling and forums. This year’s DJ Tent will be headlined by DJ Spooky that Subliminal Kid and Bassnectar.

A family-friendly kid’s zone will boast arts and crafts with an amazing peace flag-making workshop with Daily Acts, live theater with the Big Tadoo Puppet Crew, games, story-telling, face-painting, organic “snack time,” and an exhibit from the Museum of Children’s Art and a mid-afternoon Kid's Parade. A favorite in the kid’s zone is the sing-a-long with Michael Franti, where the festival founder visits and sings with the youth. An exciting addition to this year’s festival will focus on Franti’s new children’s book, What I Be.

9th Annual Power to the Peaceful Music and Arts Festival
Saturday, September 8th
Speedway Meadow, Golden Gate Park
Admission is FREE

9:00 AM PTTP COMMUNITY YOGA PRACTICE
11:00 AM HOT BUTTERED RUM
12:25 PM LIFESAVAS
1:40 PM INDIGO GIRLS
3:30 PM MICHAEL FRANTI & SPEARHEAD


Power to the Peaceful After Party

Saturday, September 8th / 9 PM
Michael Franti & Spearhead PTTP All Star Jam Session
Mezzanine (444 Jessie Street @ Mint)
w/ special guests Heavyweight Dub Champion
plus live DJ sets by Hoola, the Shamanic Cheerleaders
Tickets are $30.00 and available now at www.powertothepeaceful.org.

Sunday Yoga Jam at Speedway Meadow
Sunday, September 9th / 11 am SUNDAY YOGA JAM
w/ a special performance by Michael Franti
Speedway Meadow, Golden Gate Park
Individual Classes: $45.00 / Three Class Card: $110.00
Tickets available now at www.powertothepeaceful.org.
11:00 AM doors and registration
Yoga Classes at 11:30 am /1:15 PM / and 3:45 PM

Complete information for the festival and all related events can be found at www.powertothepeaceful.org.

Since 1998, the free, outdoor “911 Power to the Peaceful Festival” has been a fun, educational, hip and diverse annual experience. The first event was held in a neighborhood park and drew 6,000 people. In recent years, it has grown to draw over 60,000 people to the spacious Speedway Meadow in Golden Gate Park. Past artists and speakers have included The String Cheese Incident, John Butler Trio, KRS-One, Digital Underground, Woody Harrelson, Angela Davis, Dennis Kucinich, Ram Das, Blackalicious, Alice Walker, Talib Kweli, The Coup, Saul Williams, Keller Williams, Lyrics Born and many others.

In a year that is shaping up to be his most active year yet in support of the peace movement, Michael Franti visited and performed for injured soldiers at Washington’s Walter Reed Army Medical Center this past April, before participating in a fundraiser for Iraq Veterans Against the War. In May 2007, Franti performed an extremely rare San Quentin Prison concert, extolling the virtues of peace in a performance before some 2,000 inmates.

The award winning filmmaker Franti - who is responsible for I Know I’m Not Alone, the heralded 2005 documentary about the Iraq War, and the subsequent 2006 Anti- debut Yell Fire!, which was inspired by his travels to the war-torn area - has been praised for his commitments to peace, tolerance and co-existence from journalists and formal and informal leaders throughout the globe.

Franti and Spearhead will celebrate the success of their breakthrough 2006 Anti- debut Yell Fire! by releasing a live, digital-only version of the acclaimed disc this October. In advance of its extensive U.S. autumn tour, the group is currently at work with producer Matt Wallace (The Replacements, Faith No More, John Hiatt) on its next album, due via Anti- in 2008.

www.powertothepeaceful.org
www.spearheadvibes.com

8.15.2007

Lotus Fall Tour Supporting New Album


For those waiting for a concert experience with the dynamics of a rock band (read: no laptops), the dance inducing rhythms of club music, and the sophistication of modern electronica, an unlikely musical alternative has arrived in the form of the band Lotus. Formed at a Mennonite college that had banned on-campus dancing as late as the 1980’s, Lotus brings their club-worthy beats and rocking instrumental anthems to theaters throughout the country this fall. No glow-stick bracelets, pretentious Can trivia, or expensive distressed fashion required.

Lotus’s new release, Escaping Sargasso Sea (May 2007), is a double-disc live album that draws from two previous studio albums, Nomad and The Strength of Weak Ties, along with never before released material. From the post/math-rock of “When H Binds to O” to the slippery dance beats of “Wax,” this collection shows Lotus’s ability to deconstruct, stretch, and rebuild their compositions spontaneously on stage. Restraining from flaunting their individual chops, Lotus builds compositions on catchy melodies and heavy grooves.

The five-piece band has creatively fused electronic dance music with instrumental post-rock for eight years. The result is an explosive live show that has made crowds get down across the US, Canada, and Japan. Armed with a massive light rig and one of the most energetic shows on the circuit, Lotus proves why they have become a go-to act for late night festival slots. This tour takes the band into renowned theatres nationwide including the Ogden Theatre in Denver, the Great American Music Hall in San Francisco, Park West in Chicago, and the Bowery Ballroom in New York.

Lotus’ complete list of confirmed Fall Tour dates is as follows:

09/28 Paradise Rock Club Boston, MA
09/29 Red Square Albany, NY
10/04 Black Sheep Colorado Springs, CO
10/05 Aggie Theatre Ft. Collins, CO
10/06 Ogden Theatre Denver, CO
10/08 Rhythm Room Phoenix, AZ
10/09 Winston's San Diego, CA
10/10 Knitting Factory West - Main Room Hollywood, CA
10/11 Great American Music Hall San Francisco, CA
10/12 Moe's Alley Santa Cruz, CA
10/13 Crown Room Crystal Bay, NV
10/18 WOW Hall Eugene, OR
10/19 Hawthorne Theatre Portland, OR
10/20 Tractor Tavern Seattle, WA
10/23 Club Roxbury Omaha, NE
10/24 The Cabooze Minneapolis, MN
10/25 Majestic Theatre Madison, WI
10/26 Park West Chicago, IL
10/31 Higher Ground Burlington, VT
11/01 Pearl Street Northampton, MA
11/02 Music Hall of Williamsburg Brooklyn, NY
11/03 Bowery Ballroom New York, NY
11/23–11/24 World Cafe Live - Philadelphia, PA
12/31 Mr. Smalls Theatre Pittsburgh, PA

For more information please visit www.lotusvibes.com

Note: Did you know that PhreshWater interviewed Lotus in their earlier days in March 2003? For more insights into Lotus >>>>

Later this year, look for a Lotus remix project with LCD Soundsystem label-mate Juan Maclean.

7.06.2007

Camp Bisco 6 Adds More Gravy


The Disco Biscuits have announced Camp Bisco 6 - the sixth year of the band’s always-anticipated annual music festival. Reputed for each year offering music’s most cutting edge and experimental innovators, Camp Bisco 6 will host three nights of music and camping at the Indian Lookout Country Club in upstate New York. Camp Bisco 6 welcomes in a new-era of internationalism and diversity. In addition to three nights of epic Disco Biscuits sets, Camp Bisco will host Simon Posford, OTT and YOUTH as they bring their dub circus project, Hallucinogen: In Dub to the states for its first ever U.S. appearance! Also confirmed: Israeli trance band Infected Mushroom, the stretched and skewed soundscapes of Brazilian ex-pat Amon Tobin, stunning sample craftsman Girl Talk, dance-punker The Juan Maclean, precision jammers Umphrey’s McGee, Sound Tribe Sector 9 (playing a live set one night and a PA set the other), Adam Deitch featuring Slick Rick and The Adam Deitch Project, underground heavyweight Bassnectar, innovative dance music by The Bays, a soulful DJ set by King Brit of Digable Planets fame, experiemental rockers Benzos, Allston, MA based Indobox, world-beat collective The Afromotive, plus Zilla, EOTO, The Join (featuring Jamie Shields & Darren Shearer of The New Deal and Tom Hamilton & Clay Parnell of Brothers Past), The Grimace Federation, Digital Frontier, Strut, Caveman, Telepath, Psylab, and Orchard Lounge.

In addition to three nights and two full days of music, Camp Bisco 6 will offer unlimited car camping, plus RV and family camping areas, daily “Color Wars” festivities which have become a signature Camp Bisco pastime, and of course plenty of food and craft vendors. Indian Lookout Country Club, located in Mariaville New York just ½ hour from Albany and 3 hours from both Boston and New York City, boasts 200 acres of serene rolling hills and natural beauty, and such amenities as flush toilets and showers. As always, Camp Bisco will work with various local officials, venue managers and The Camp Creek Organizers to ensure music fans a fun and safe weekend.

Also this year, Camp Bisco will “Go Green.” Camp Bisco 6 will be powered by 100% renewable energy, thanks to sponsors Green Mountain Energy Company and Sustainable Waves. Green Mountain Energy Company and Sustainable Waves are pleased to offer Camp Bisco attendees the opportunity to “green up” their concert experience by purchasing a “Green Ticket.” When you buy a Green Ticket, Green Mountain will green-up the Camp Bisco concert experience by providing, on the ticket buyer’s behalf, 250 kWh of green-e certified renewable energy made from sources like wind and bio-energy. By purchasing a Green Ticket, each individual can help offset an estimated 348 lbs of CO2 created by activities like driving their car to the show. For more information please visit www.begreennow.com/greenticket250 and visit www.campbisco.net to purchase a Green Ticket to Camp Bisco 6.

After a very successful food drive at last year’s Camp Bisco, where over 1,000 pounds of food were collected, The Disco Biscuits and not-for-profit Conscious Alliance will again partner to collect donations to benefit local food pantries. Conscious Alliance will be releasing a limited edition print by artist Rob Pea , FREE to those who contribute 10 non-perishable food items or a specified cash donation to the food drive. Donations of low-sodium and health food oriented products are especially encouraged. Ramen Noodles will not be accepted for the free poster. For more information on the important work of Conscious Alliance please visit www.consciousalliance.org.

Event Information is as follows:

CAMP BISCO 6

August 16-18th 2007
3 nights of music and camping
Indian Lookout Country Club
Mariaville, NY
Tickets available now at www.campbisco.net www.discobiscuits.com and
http://biscotix.musictoday.com
Ticket prices are $130.00 / $145.00 til 5 PM on August 15 /$160.00 at gate (ticket prices include car camping for all three nights)
Visit www.campbisco.net, www.meatcamp.com, or www.discobiscuits.com for tickets and information

Long recognized as the preeminent trance-fusion band in the United States, the Disco Biscuits have forged a new path in the improvisational music scene, leaving in their wake dozens of imitators while leading the charge in the now dominating live-electronic touring circuit. In the twelve years that the Biscuits have been around they have created a huge following and garnered a great deal of critical success.

SPIN magazine has dubbed them the "forefathers of Trance-fusion", while Entertainment Weekly called 1998's "Uncivilized Area" the #1 Jamband Album of All Time. "Señor Boombox," released in 2002, was named one of the Top Ten Jam Albums Ever by Guitar Player and 2002's Best Studio Album by Relix.

Highlights of this last year include playing to 25,000 people at Bonnaroo and 20,000 at Lollapalooza, the hosting of their 5th annual Camp Bisco (whose line-up included The Roots, Brazilian Girls, and Thievery Corporation) at Hunter Mountain, and the release of their "Caterpillar" video on MTV Latin America. TDB sold out 15 shows in a row on their spring tour & closed out the year with another nine sold-out shows, culminating in a three show New Year’s run. New Year’s was filmed in an HD documentary, titled Progressions, depicting the band's rise from club/theatre band to arena headliner in the Biscuits' hometown of Philly. 2006 saw them reach new heights and this year only promises more.

6.26.2007

Wall to Wall Guitar Festival


The return of Krannert Center for the Performing Arts’ biennial Wall to Wall Guitar Festival erupts September 13-15, 2007. This three-day festival rejoices in all things guitar in a nearly-round-the-clock celebration and exploration of an instrument that holds an essential place in almost every musical tradition around the globe. The Wall to Wall Guitar Festival, Take Two , boasts over 30 diverse musicians, from as close as Krannert’s Central Illinois backdoor all the way to the deep south, Hawaii, and beyond. International artists taking part call places like India, Scotland, Spain, France, and Iraq home, but for three days this fall, they’ll all reside in this teeming guitar bazaar filled with uncommon collaborations, unbelievable legends, and undeniable energy.

Building upon the intense momentum of the 2005 inaugural festival, Wall to Wall, Take Two, promises an even greater breadth of genres, variety of activities, and capacity for unexpected moments. There will be nine mainstage concerts (most with multiple billings), six free performances in the Krannert Center lobby, the return of the John Lennon Educational Tour Bus, GarageBand workshops presented by Apple Computer, guitar workshops at local music stores, Guitar Hero competitions (including a VIP competition on opening night), exhibits at Techline and the Center for American Music, a Krannert Center Youth Series performance, and numerous opportunities to dive into the instrument through commentaries, discussions, and interactive workshops—all assembled by Krannert Center’s director Mike Ross and his staff, in collaboration with the festival’s artistic advisor, David Spelman. Spelman, the founder/director of the New York Guitar Festival. Spelman, who will also help launch the Adelaide International Guitar Festival in South Australiathis year, says he vividly remembers the “impromptu collaborations” that evolved in the 2005 festival, and expects “Wall to Wall, Take Two, to be even more exciting and full of surprises.”

The 2007 featured players include an all-star opening night line-up of Toubab Krewe, Sonny Landreth with Cindy Cashdollar (a 2005 participant), Campbell Brothers, The Yohimbe Brothers (with returnee Vernon Reid), Bob Brozman, and Led Kaapana. They are joined for this three-day immersion by Rahim AlHaj, Pierre Bensusan, Vishwa Mohan Bhatt, Tim Brookes, Shawn Colvin, The Delta Kings, Ed Gerhard, Alex de Grassi, Buddy Guy, Fareed Haque, Goran Ivanovic, Jorma Kaukonen, Kaki King (another W2W alum), Los Lobos, Harry Manx, John McLaughlin, Tony McManus, North Mississippi Allstars, Paul O’Dette, The Romeros, composer Phil Kline, Dan Zanes (also a second-timer), and Natalia Zukerman.

Partners like Apple Computer and iTunes will bring the festival even closer through podcasted interviews with artists, special festival downloads, and opportunities to listen to music and readings from Wall to Wall musicians. Regular updates will be posted at WalltoWallGuitar.com. Single tickets and festival passes are on sale June 29 at 10am. Festival passes include all nine mainstage events; passes must be purchased by July 20 for priority seating. Festival pass prices range from $103 for students to $216 for standard admission.Tickets for individual shows will also be available for purchase. www.walltowallguitar.com.

PERFORMANCE SCHEDULE:

Wall to Wall Guitar Festival Opening Night Party
Toubab Krewe, Sonny Landreth with Cindy Cashdollar, Campbell Brothers, The Yohimbe Brothers with Vernon Reid and DJ Logic, Bob Brozman, Led Kaapana
Thursday, September 13 at 7pmLobby and Amphitheatre, $5

It’s all about the mix—this teeming guitar bazaar—this surging, pulsing open market of eating and dancing and mingling and listening and rocking and laughing—it’s here...it’s now...it’s in the moment! Experience five live performances, outdoor food vendors, the Wall to Wall Studio Theatre Store, Guitar Hero competitions, and more–there’s even free coffee to keep the crowd going on into the night.

Blending Mali’s desert blues with Surf and “Dirty South” influences into a genre all its own, Toubab Krewe sets a “new standard for fusions of rock ‘n’ roll and West African music,” says Banning Eyre at Afropop Worldwide. This instrumental quintet developed its unique sound over the course of extended stays in West Africa, immersing itself in the culture, studying, and performing with masters. Toubab Krewe will take the stage at 7pm in the lobby.

Eric Clapton calls Sonny Landreth “probably the most underestimated musician on the planet.” The New York Times calls him “a musician who has deeply investigated his instrument without leaving his roots.” Come witness the bottleneck slide and thumbpicking that have garnered such esteem. Hear the percussive guitar playing that burst from his southern Louisiana heritage and forged a sound all his own en route to becoming the acclaimed “King of Slydeco.” Those who want to go to school on slide guitar can pick up Cindy Cashdollar’s definitive 2004 Slide Show. Several of the artists who joined this five-time Grammy winner on that recording will be in town for the second W2W festival. At 8pm Sonny Landreth Band and Ms. Cashdollar will take the stage in the lobby.

When such musicians as Ray Charles and Aretha Franklin ushered gospel into secular concert halls, much African-American sacred music burst forth from sanctuaries and poured into the streets. Only recently has that phenomenon occurred for the “Sacred Steel” repertoire of Holiness-Pentecostal gospel vocals and electric steel guitar. Their 2004 National Heritage Fellowship placed the Campbell Brothers squarely at the forefront of this emergence. “With pedal steel guitar lines swooping skyward like a gospel shouter; two Campbell brothers trade off leads, carrying the songs to peak after peak,” writes Jon Pareles in the New York Times, while Andy Grigg in Real Blues writes that brother Chuck is “the Jimi Hendrix and the Django Reinhardt of the steel guitar.” Don’t miss the Campbell Brothers lobby performance at 9pm.

An All About Jazz review characterized the Yohimbe Brothers album The Tao of Yo as “hard rock psycho-turntabulism that pushes the envelope,” and that’s a good way to begin to get a handle on what these musicians are all about. The “brothers” are Vernon Reid of the rock band Living Colour, who returns following a blistering appearance at the first Wall to Wall festival, and turntablist DJ Logic, whose jazz collaborators have included Joshua Redman, John Scofield, and Medeski Martin and Wood. Amazon describes the Brothers’ first recorded venture, Front End Lifter , as a “potent blend of hip-hop, electronica, circus music, blues and soul, dub reggae, and, as is to be expected, full-tilt rock & roll.” The Yohimbe Brothers will keep the night going strong as they take the stage at 10pm in the lobby.

Bob Brozman has been called “a walking archive of 20th–century American music.” A Blues in London interview began, “Spoken of with reverence by slide guitarists around the world, Bob Brozman is more than a virtuoso.” Asked what led him to champion National guitars over the years, Brozman responded, “a National goes from a whisper to a roar, controlled by muscle action, which ideally is controlled by emotional feeling.” Those emotions resulted in back-to-back wins in Guitar Player’s Readers’ Polls in both blues and slide guitar categories. At Krannert Center he celebrates Hawaiian slack key guitar for a performance with Led Kaapana, a master of the style who appeared on this year’s Grammy-winning Legends of Hawaiian Slack Key Guitar—Live From Maui. Having grown up with no electricity on the black sand bay of Kalapana on the Big Island of Hawaii, Kaapana tells of backyard parties that lasted for days. “People played in shifts, taking over when somebody went to sleep. You’d fall asleep to the music, wake up...and the music was still playing.” After 40 years as a professional musician, the music is still playing. Accompanying his slack key playing with an extraordinary baritone voice that can modulate to a leo ki`eki`e (falsetto), musical legend Kaapana will plant palms swaying in balmy breezes in the heartland evening during this outdoor concert from 7pm to 9pm.


Festival Calendar


Wall to Wall Guitar Festival, Take Two Calendar of Events

Th Sep 6 3:30pm World on a String
Phil Kline, composer

Tu Sep 11 1pm The Eddie Alkire Collection
Bob Brozman, Led Kaapana, Tim Brookes

We Sep 12 9am Vintage Instrument Display (continues till 5pm daily from Sep 12-15)

Th Sep 13 6pm John Lennon Educational Tour Bus

7pm Wall to Wall Guitar Festival: Opening Night Party
Toubab Krewe, Sonny Landreth with Cindy Cashdollar,
Campbell Brothers, The Yohimbe Brothers with Vernon Reid
and DJ Logic, Bob Brozman, Led Kaapana

Fr Sep 14 12pm Interval
Goran Ivanovic and Fareed Haque Duo

2pm Singer/Songwriter
Shawn Colvin and Natalia Zukerman

4pm Traffic Jam
Bob Brozman and Led Kaapana, Hawaiian Slack Key Guitar

7pm Global Guitar
Rahim AlHaj, Vishwa Mohan Bhatt, Pierre Bensusan

10pm Los Lobos

11:30pm Wall to Wall Guitar Festival: Afterglow
North Mississippi Allstars

Sa Sep 15 10am Family Fun
Dan Zanes and Friends

10am John Lennon Educational Tour Bus

12:30pm Interval
Ed Gerhard

2pm Classic and Historic
Paul O’Dette, The Romeros

4pm Traffic Jam
Harry Manx

5pm Wood, Steel, and Beyond
Kaki King, Tony McManus, and Alex de Grassi

7pm John McLaughlin and the 4th Dimension

9:30pm Evening Blues
Jorma Kaukonen with Cindy Cashdollar, Buddy Guy

11:30pm Wrap–up Afterglow
The Delta Kings

6.14.2007

The Nick Vivid Effect - Power Duo!

The Nick Vivid Effect
Nick Vivid: Vocals, Guitars, Keyboards
Shane Kerton: Drums

It's PhreshWater's pleasure to introduce to you, from Brooklyn NY, The Nick Vivid Effect.

Reaching deep into the pockets of the post-glam 70's comes a power chord duo that makes more noise than most bands of four members can muster. Nick Vivid leads the way with his full throttle crunch-throb guitar and dizzying vocals. Shane Kerton pounds hard, frequently, and with precision on his massive Fibes drum kit - outfitted with a twenty-eight inch marching band kick-drum. This mix of minimalist rock and punk, served up at full volume, is a sonic buffet for the ears.

"I wasn't planning on doing a 2 piece," Says Nick Vivid, "..but while jamming with a friend uptown one night in early December and plugging into 2 amps, I felt such a full sound happening and felt so inspired to riff out all over the place with fresh ideas and complete freedom, that I knew it was the new direction to go in."

Head over to MegaPlatinum Entertainment [Nick's own label] and grab a copy of The Nick Vivid Effect's first digital release "Baby Better Look Out" which features 3 masterful tunes: Baby Better Look Out; And Now, The Moment We've All Been Waiting For...; Go Get 'Em, Kid!

Your ears and your friends will thank you for turning them on!

FREE MP3 Sampler >>>>
Available in FLAC for $2.67 >>>>>
Available in MP3 for $2.07 >>>>>>

5.23.2007

Avett Brothers Climbing Billboard Charts



Just got this in the email. Way to go Avett Brothers!

"We are very, very excited to announce that Emotionalism came in at #134 on the Billboard Top 200 chart, #1 on the Billboard Heatseekers chart and #13 on the Billboard Independent Albums chart.

We can't thank everyone enough who bought copies of Emotionalism, came out to shows and who have spread the word for us. Without you, there is no way we could have reached this goal. We thank you all for supporting us so far and hope you'll stick with us. This record is really special to us. Please continue to tell your friends, family and anyone else you know about it. We'd love to keep up this momentum and get this album out to as many people as possible."


THANKS!

The Avett Brothers

Listen to some tracks and purchase Emotionalism Here >>>

5.22.2007

Flaming Lips to Headline Monolith Fesitval


Today, the MONOLITH FESTIVAL Presented by Esurance makes its initial line-up announcement. Confirmed to rock the MONOLITH FESTIVAL on September 14th and 15th are The Flaming Lips, CAKE, The Decemberists, Kings of Leon, Spoon, Clap Your Hands Say Yeah, Ghostland Observatory, Brian Jonestown Massacre, Juliette and the Licks, Flosstradamus, Kid Sister, Cloud Cult, Earl Greyhound, Das EFX, The Broken West, Yacht, Reverend Peyton’s Big Damn Band, Bob Log III, Lords of the Underground, Mobius Band, Ra Ra Riot, Minus Story, Otis Gibbs and many others still to be announced.

MONOLITH marks the first ever multi-day, multi-stage festival at Colorado’s world-renowned Red Rocks Amphitheatre. A must-visit destination for any music fan, MONOLITH offers up the perfect excuse to finally visit the legendary outdoor venue. Hosting 50+ bands on 5 stages, and surrounded by breathtaking natural rock formations and premium facility amenities, MONOLITH promises an exceptional and intimate (only 9000 tickets will be sold!) festival experience sure to go down in rock history.

MONOLITH FESTIVAL Presented by Esurance

Friday, September 14 and Saturday, September 15
Red Rocks Amphitheatre / www.redrocksonline.com

Ticket Prices: Single Day $42.50 / Two-Day Pass $79.50
VIP Gold Pass $175 (In very limited quantity. Includes reserved soundboard seating VIP parking, and other perks.)

Tickets on sale on Saturday, June 2nd at 10 am MST at all Ticketmaster outlets and at www.ticketmaster.com

For additional information visit www.monolithfestival.com

5.09.2007

Jam Cruise 6 Sets Sail January 2008


Ft. Lauderdale, Florida – Today, Jam Cruise 6 confirms trip dates and makes its line-up announcement. This year’s annual floating festival will leave Ft. Lauderdale on January 4, 2008 for a 5 day / 5 night music and travel adventure. With over 20 bands and 2000 passengers aboard the MSC Lirica, the luxury cruise liner will make stops in Roatan, Honduras and Costa Maya, Mexico.

So far, Jam Cruise 6 has confirmed accomplished guitarist Warren Haynes, conscious hip hop innovators Michael Franti & Spearhead, New Orleans funk legends funky METERS featuring Art Neville, George Porter, Russell Batiste & Ian Neville, progressive bluegrass band Yonder Mountain String Band, new-funk favorites Galactic, Grateful Dead re-creators Dark Star Orchestra, jazz organ trio Soulive, reggae architects Toots & the Maytals, soul sister Sharon Jones and the Dap Kings, Everyone Orchestra conducted by Matt Butler featuring Jon Fishman, Steve Kimock & Jeff Coffin, high energy jammers Perpetual Groove, B-3 organ-fueled blues-rock quartet Grace Potter and the Nocturnals, electronic loungers Lotus, west coast Rockers New Monsoon, the West African skewed Toubab Krewe, the inspired Colorado outfit The Motet, the thumping soundscapes of DJ Harry, special guest Karl Denson, and many others still to be announced.

More cabins than ever have been pre-booked! Jam Cruise 6 reservations open to the public on June 4, 2007 at www.jamcruise.com.

Since its first journey in 2003, Jam Cruise has revolutionized the music festival experience by blending the community, spontaneity and good times of a music festival with the convenience, luxury, and adventure of cruise travel. Jam Cruise’s unique story has been featured in a diverse list of media outlets including the New York Times, Wall Street Journal, Rolling Stone, HARP, Gourmet Magazine, Outside Magazine, Travel and Leisure, and many others.

5.06.2007

The Disco Biscuits Announce Camp Bisco 6

Today, trance-fusion rockers The Disco Biscuits announce Camp Bisco 6 - the sixth year of the band’s always-anticipated annual music festival. Reputed for each year offering music’s most cutting edge and experimental innovators, Camp Bisco 6 will host three nights of music and camping at the Indian Lookout Country Club in upstate New York. With their initial artist line-up announcement, Camp Bisco welcomes in a new-era of internationalism and diversity. In addition to three nights of epic Disco Biscuits sets, Camp Bisco will host Simon Posford, OTT and YOUTH as they bring their dub circus project, Hallucinogen: In Dub to the states for its first ever U.S. appearance! Also confirmed: Israeli trance band Infected Mushroom, the stretched and skewed soundscapes of Brazilian ex-pat Amon Tobin, stunning sample craftsman Girl Talk, dance-punker The Juan Maclean, Sound Tribe Sector 9 (playing a live set one night and a PA set the other), underground heavyweight Bassnectar, a soulful DJ set by King Brit of Digable Planets fame, incognito favorites Hanging Brains, plus Zilla, EOTO, The Join (featuring Jamie Shields & Darren Shearer of The New Deal and Tom Hamilton & Clay Parnell of Brothers Past), Telepath, Psylab, Orchard Lounge, and others still to be announced.

In addition to three nights and two full days of music, Camp Bisco 6 will offer unlimited car camping, plus RV and family camping areas, daily “Color Wars” festivities which have become a signature Camp Bisco pastime, and of course plenty of food and craft vendors. Indian Lookout Country Club, located in Mariaville New York just ½ hour from Albany and 3 hours from both Boston and New York City, boasts 200 acres of serene rolling hills and natural beauty, and such amenities as flush toilets and showers. As always, Camp Bisco will work with various local officials, venue managers and The Camp Creek Organizers to ensure music fans a fun and safe weekend.

Also this year, Camp Bisco will “Go Green.” Camp Bisco 6 will be powered by 100% renewable energy, thanks to sponsors Green Mountain Energy Company and Sustainable Waves. Green Mountain Energy Company and Sustainable Waves are pleased to offer Camp Bisco attendees the opportunity to “green up” their concert experience by purchasing a “Green Ticket.” When you buy a Green Ticket, Green Mountain will green-up the Camp Bisco concert experience by providing, on the ticket buyer’s behalf, 250 kWh of green-e certified renewable energy made from sources like wind and bio-energy. By purchasing a Green Ticket, each individual can help offset an estimated 348 lbs of CO2 created by activities like driving their car to the show. For more information please visit www.begreennow.com/greenticket250 and visit www.campbisco.net to purchase a Green Ticket to Camp Bisco 6.

Not-for-profit Conscious Alliance will also be on site to host a food drive. As in years past, food donations collected will go to benefit local food pantries in their effort to help feed America’s hungry. Attendees are encouraged to bring 10 non-perishable food items redeemable for a limited edition Camp Bisco 6 / Conscious Alliance poster. Visit www.consciousalliance.org for more information.

Event Information is as follows:
CAMP BISCO 6
August 16-18th 2007
3 nights of music and camping
Indian Lookout Country Club
Mariaville, NY

Presale tickets available now at www.campbisco.net, www.discobiscuits.com and biscotix.musictoday.com
Tickets on sale to the general public on May 10 at 10 am
Early bird special available for $115.00 while supplies last
Ticket prices will raise without notice as allotments sell out: $130.00 / $145.00 til 5 PM on August 15 /$160.00 at gate (ticket prices include car camping for all three nights)

Visit www.campbisco.net, www.meatcamp.com, or www.discobiscuits.com for tickets and information

Long recognized as the preeminent trance-fusion band in the United States, the Disco Biscuits have forged a new path in the improvisational music scene, leaving in their wake dozens of imitators while leading the charge in the now dominating live-electronic touring circuit. In the twelve years that the Biscuits have been around they have created a huge following and garnered a great deal of critical success.

SPIN magazine has dubbed them the "forefathers of Trance-fusion", while Entertainment Weekly called 1998's "Uncivilized Area" the #1 Jamband Album of All Time. "Señor Boombox," released in 2002, was named one of the Top Ten Jam Albums Ever by Guitar Player and 2002's Best Studio Album by Relix.

Highlights of this last year include playing to 25,000 people at Bonnaroo and 20,000 at Lollapalooza, the hosting of their 5th annual Camp Bisco (whose line-up included The Roots, Brazilian Girls, and Thievery Corporation) at Hunter Mountain, and the release of their "Caterpillar" video on MTV Latin America. TDB sold out 15 shows in a row on their spring tour & closed out the year with another nine sold-out shows, culminating in a three show New Year's run. New Year's was filmed in an HD documentary, titled Progressions, depicting the band's rise from club/theatre band to arena headliner in the Biscuits' hometown of Philly. 2006 saw them reach new heights and this year only promises more.

4.28.2007

Yard Dogs Road Show: May Dates & Bonnaroo!


Fresh from a wildly successful European debut, the West’s sexiest, surliest performance troupe hits the road this may for their Cabaret Blitz! tour. Then, catch them in Manchester, Tennessee this June for their Bonnaroo debut!

Consider Yard Dogs Road Show’s “Cabaret Blitz!” a polite challenge to all that is prevailing in American culture. There is poetry everywhere and it must be acknowledged! Collaborating for these shows with regional and local artists, the groups billed along this very special run represent a menagerie of west coast cabaret and circus arts. Many of them have never shared the same stage. They come with open hearts to engage a decorated and poetic civilization. Dress code: A formal rendition of your inner carnival - something stitched and stunning and nearly falling off.

Born from the saloon vaudeville that toured the Wild West in the late 1800's and slammed into the underworld of modern American road culture, Yard Dogs Road Show create a timeless and surreal union of ancient theatrical alchemy and modern pop culture. It’s a true story on stage: sword swallowers, dancing dolls, fire eaters and hobo sunset poetry - all animated by the live sounds of the Yard Dogs cartoon band. Yard Dogs Road Show is pure visual and sonic voodoo. The times have demanded it and here it is: “The new emergence of road show nobility.”



Cabaret Blitz! Show dates include:

Fri May 4 / Showbox /Seattle, WA w/ Circus Contraption
Sat May 5 / Nightlight / Bellingham, WA w/ Dream Science Circus
Sun May 6 / The Commodore / Vancouver, BC w/ Tarran the Tailor and the Ancient Rugged Revival
Mon May 7 / Capitol Theater / Olympia, WA w/ Femme De Fabrique
Tue May 8 / Wonder Ballroom / Portland, OR w/ March Fourth Marching Band
Wed May 9 / McDonald Theater / Eugene, OR w/ Vagabond Opera
Thu May 10 / Ashland Armory / Ashland, OR w/ Vagabond Opera
Sat May 12 / Fillmore Auditorium / San Francisco, CA w/ Rosin Coven and others TBA
June 14-17 / Bonnaroo Music Festival / Manchester TN

There is some speculation as to the origin of the Yard Dogs Road Show. Not for the want of mystery but for the difficulty in translating an experience that was navigated by the overly-romantic and sleep deprived. Shows came and went leaving very little time to fully comprehend what was going on. Some say the carnival-inspired performance art of the Yard Dogs Road Show began as a three piece jug band performing in road houses and dance halls and at informal gatherings, including Oregon’s modern day acid tests with Ken Kesey and The Merry Pranksters. Some say they traveled in a 1967 Ford Galaxy 500 and the evolution of their show revealed itself in the flames of a campfire on Dog Creek Road: dancing dolls with feather fans, an hombre in silver sunglasses eating fire, a dreamy guitar boy with golden locks, a bearded swami capable of conjuring the supernatural . Others say this story is complete hogwash and it was actually the brainchild of a unemployed “cowboy” and his faithful muse – transient artists with an incredible talent for brainstorming impossible ideas while under the influence of poppy tea and wishful thinking. By chance these conversations were overheard by an ambitious young poet who decided to actualize them for the sake of all impossible dreams everywhere.

Either way, that was seven years ago, and the unlikely troupe of gypsies has been performing on stages ever since.

With the publication of his book, Hobo: A Young Man’s Thoughts on Trains and Tramping in America (Random House / 2003), straw boss and founding member Eddy Joe Cotton and the Yard Dogs Road Show surfaced into the mainstream media, including recent recognition in SPIN Magazine. Bringing rock & roll to theatre and theatre to rock & roll, they have collaborated with Teatro Zinzanni, Cirque Du Soleil, and Burning Man and have performed such renowned festivals as Vegoose, Oregon Country Fair and Wakarusa.

4.23.2007

Bob Dylan - Infrared: by Elliott Landy



Subject - "Bob Dylan - Infrared", an Elliott Landy photo most-recently used on the cover of "The Collection, Volume 4 - Nashville Skyline/New Morning/John Wesley Harding (Reissue), released in 2005 on Sony records.

This three-disc entry in Sony's "The Collection" series of classic album compilations delivers fans three of Mr. Dylan's most experimental and exciting recordings ­ 1967's John Wesley Harding (which introduced "All Along The Watchtower" and introduced us to Dylan's "country side"); 1969's Nashville Skyline (which featured the timeless "Lay Lady Lay" and a host of Dylan-penned country classics ­ including a duet with Johnny Cash called "Girl From The North Country" ­ as well as another great Landy cover shot); and 1970's New Morning, which included Dylan standards such as "If Not For You" and "One More Weekend". Sony, it seems, did not want to include music from Dylan's Self Portrait album, which was released earlier in 1970 and confused/frustrated the heck out of critics and fans alike (although it did include a striking album cover painted by Dylan himself).

In Elliott's own words (from his book "Woodstock Vision") - "Everyone liked the Big Pink photographs I'd shot for The Band, and shortly afterward Al Aronowitz, a writer and friend of Dylan's, asked me to photograph Bob for the cover of the Saturday Evening Post."

"I rented a little VW bug and drove up from the city to Bob's house in Woodstock. This was during the height of his fame, when he had been seen publicly only once in a couple of years, and many people thought he had died in a motorcycle accident." Aronowitz introduced us. Bob told me how much he liked the Band photos, grabbed his guitar, sat on an old tire, and began playing while I took pictures. It occurred to me that millions of people would be thrilled to be ten feet away from Bob Dylan while he was playing, but he was so casual, it seemed normal to me."

"He suggested some other things. 'This is what I do up here, take a picture,' he said while putting the garbage cans away. He sat on the step of his equipment van and then in front of an old British cab he had. After a while he asked to use the camera. For some of the pictures I used infrared color film, which made the leaves bright red."

"Although he was comfortable with me, he was nervous in front of the camera, and his uneasiness made it difficult for me. I was never the kind of photographer to talk people into feeling good, I let them be the way they were and photographed it. Usually it worked out, because I flowed with whatever mood they were in, without resistance until things lightened up."

"He asked me to come back with the pictures when they were ready, which I did the following week. He liked the photos, and we started to hang out a bitŠHe was very happy, in love with his lovely and gracious wife, Sara, and his family. He was hiding from the world, savoring the magical experience of having young children. That's why I didn't publish the pictures for many years. He cherished his privacy and didn't want any media attention on his family."

"I was very impressed with Bob. He was a very special person. He intuitively understood what was going on in a situation. There was a feeling you got when you were with him that was exciting. I believe it was the flow of creative energy surrounding him that sort of spilled over onto you. Over the years I've seen him walk into rooms, even in the presence of other very famous people, and suddenly everyone's attention becomes totally focused on him. It's difficult to have this type of charisma: people always want a piece of you."

Shot at his Byrdcliff home in Woodstock, NY, 1968

by Mike Goldstein

Provided by the MusicDish Network. Copyright © MusicDish LLC 2007 - Republished with Permission

4.09.2007

String Cheese Incident's Final Summer Tour


Boulder, Colorado – Today, independent music pioneers The String Cheese Incident announce their 2007 Summer Tour – which also marks the beginning of an end for the band and their community. In the fall of 2006, The String Cheese Incident announced it would make no plans beyond summer 2007, as SCI guitarist Billy Nershi would be leaving the group to explore a different musical path.

Since the band’s inception, The String Cheese Incident has emerged as one of today's most significant independent bands. Born in 1993 in Colorado's Rocky Mountains, SCI has since released 6 albums, 3 DVDs and countless live recordings from their relentless tour schedule. Their 14 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. They have been recognized for their commitment to musical creativity and integrity, for their community spirit and philanthropic endeavors, and for their innovative approach to the business of music.

When The String Cheese Incident’s growth first started gaining momentum over a decade ago, the landscape of the music industry was like the wild west from where the band came. With the major-label business model failing and the age of the internet just dawning, The String Cheese Incident began to rethink the traditional rock-n-roll dream. Once the band decided to go for it and make music completely on their own terms, they never looked back.

The String Cheese Incident went on to carve out a completely different approach to the business of music; truly pioneers of a new way of “making a band.” With the World Wide Web as their tool, SCI was able to easily disseminate information such as tour dates, release information, and other news to their growing fan base. Rather than doing business on such terms as “the bottom line,” The String Cheese Incident opened companies, such as a ticketing and a gear company and a fan travel agency to truly cater to the audience and their needs. Their record label, SCI Fidelity Records, operated on the same ideals; they embraced tape trading and downloadable music, eventually offering the SCI’s “On the Road” series, where every show the band played was made available for download on the internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to growing a band.

The String Cheese Incident’s commitment went well beyond their immediate community and even beyond the music community in general. Early on, the band took a serious interest in giving back to the communities that they visited, and they where among the first performers to encourage “Green” shows and tours. SCI’s support helped give rise to such not-for-profit organizations as Conscious Alliance, Rock the Earth, and Head Count. In 2002, when the band’s right to sell tickets to their own shows became threatened by ticketing giant Ticketmaster, the band stood strong for the independent music community and filed a lawsuit against the company. All the while, The String Cheese Incident stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Horning’s Hideout and holiday shows such as New Year’s and Halloween helped redefine the concert experience and garnered the band a reputation as live music vibe innovators.

Now, on the heels of five sold-out, home-state shows for their annual “Winter Carnival,” the band announces their 2007 Summer Tour, which stops in markets that hold plenty of SCI history (such as the San Francisco Bay Area, New York City, and Colorado) and features some of the band’s favorite kinds of shows - namely weekend camping events with plenty of musical friends in tow (a long weekend in Oregon and the “Big Summer Classic” festival at Camp Zoe).

Dates begin on July 12 with a three night run at the legendary Beacon Theatre in New York City. Then the band skips to the west coast for two nights in the Bay Area at Berkeley’s Greek Theatre on July 21 & 22, with special guests Sound Tribe Sector 9 on Saturday and Railroad Earth on Sunday. The weekend of July 27-29 will include three nights in Oregon, at a venue still to be determined (visit the band’s website for more information and details as they become available). Then, the “Big Summer Classic” will return in the form of a three-day camping festival on the weekend of August 3-5. In the tradition of the inaugural BSC tour in summer of 2005, the weekend festival will feature a slew of SCI’s musical friends. Confirmed so far are Los Lobos, Yonder Mountain String Band, JJ Grey & MOFRO, The Wailers, EOTO and many others to be announced. Visit www.bigsummerclassic.com for more information. The tour will end at Red Rocks Amphitheatre in Colorado, where it all began.

The String Cheese Incident Summer Tour list of dates is as follows:

June 15 Bonnaroo Manchester, TN
July 12 Beacon Theatre New York, NY
July 13 Beacon Theatre New York, NY
July 14 Beacon Theatre New York, NY
July 21 Greek Theatre Berkeley, CA with Sound Tribe Sector 9
July 22 Greek Theatre Berkeley, CA with Railroad Earth
July 27 Venue TBA Oregon
July 28 Venue TBA Oregon
July 29 Venue TBA Oregon
August 3 Camp Zoe Salem, MO Big Summer Classic
August 4 Camp Zoe Salem, MO Big Summer Classic
August 5 Camp Zoe Salem, MO Big Summer Classic
Produced with Peak Experience. Special guests include Los Lobos, The Wailers, Yonder Mountain String Band, JJ Grey & MOFRO, Greyboy Allstars, EOTO and many others TBA
August 10 Red Rocks Morrison, CO
August 11 Red Rocks Morrison, CO
August 12 Red Rocks Morrison, CO

Tickets on sale Tuesday, May 8 at 10 am MST at www.stringcheeseincident.com

4.02.2007

Umphrey's McGee Rev's Up for Spring


On April 3, 2007 Umphrey’s McGee releases a double disc album – a spontaneous and intriguing follow-up to their highly touted spring 2006 studio release Safety In Numbers. Titled The Bottom Half, disc one features ten songs that did not make it onto Safety In Numbers, while disc two offers outtakes, alternative versions of songs, a cappella recordings, and other bits from the band’s 2005 studio sessions. As with Safety In Numbers, famed album artist Storm Thorgerson has designed the artwork for The Bottom Half.

Safety In Numbers attracted mountains of attention for Chicago’s rising stars during 2006. The highly anticipated album charted on Billboard’s Top 200 and on the coveted “Heatseekers” chart, and received a “4 Star” review in Blender magazine. Also in 2006, Umphrey’s McGee sold out shows in theaters coast to coast, appeared at Lollapalooza and Bonnaroo, and made their late night TV debut on ABC’s Jimmy Kimmel Live. In addition, Guitar Player Magazine recently featured the band’s guitarists – Jake Cinninger and Brendan Bayliss – on their list of “Best Unsung Guitar Heroes.”

Umphrey’s McGee will tour this spring/summer in support of their new release. The list of stops includes a few very special apperances in their hometown of Chicago. The band will perform the National Anthem at U.S. Cellular Field for the Chicago White Sox home opener on April 2nd. This marks the third time Umphrey's McGee has sung the National Anthem at U.S. Cellular Field. Later in April, look for the band to headline the city’s inaugural Green Apple Festival. Umphrey’s performed this Earth Day festival last year in New York City, and is honored to now bring the earth-friendly event to their hometown. Umphrey’s will headline the festivities at the Lincoln Park Zoo on April 22nd, in addition to a very special intimate Vic Theatre performance on April 21st. A portion of the proceeds for the show, and 100% of the sales from an exclusive show poster, will be donated to a Chicago environmental organization to be determined.

The current list of confirmed tour dates is as follows:

April 03 Iowa Memorial Union Ballroom Iowa City IA
April 04 The Blue Note Columbia MO
April 05 The Pageant St. Louis MO
April 06-07 Egyptian Room - Murat Centre Indianapolis IN
April 11 Calvin Theatre Northampton MA With Brothers Past
April 12 Avalon Theatre Boston MA With Brothers Past
April 13 Nokia Theatre Times Square New York NY
April 14 9:30 Club Washington D.C. With Brothers Past
April 15 Water Street Music Hall Rochester NY
April 17 The Opera House Toronto Ontario
April 18 Penn's Peak Jim Thorpe PA
April 19 The Town Ballroom Buffalo NY
April 20 Newport Music Hall Columbia OH
April 21 The Vic Theatre - Green Apple Music and Arts Festival Chicago IL
April 22 Lincoln Park Zoo - Green Apple Music and Arts Festival Chicago IL
May 02-03 The Workplay SoundStage Birmingham AL
May 04 House Of Blues New Orleans LA
May 05 Granada Theatre Dallas TX
May 06 Beale Street Music Festival Memphis TN
May 25-27 Summer Camp 2007 Chillicothe IL
June 02 Mountain Jam Festival Hunter NY
July 18-21 10,000 Lakes Festival Detroit Lakes MN

More dates to be announced.

It has been a quick rise for Chicago’s Umphrey’s McGee. Their virtuoso playing and edgy songcraft recently compelled RollingStone to choose Umphrey’s “a band to watch” in their annual Hot Issue. Relix magazine put them on the cover of their December 2004 issue and the prestigious Chicago Music Awards bestowed upon Umphrey’s McGee the coveted Best Rock Entertainer of the Year award. Booked coast to coast by the Monterey Peninsula Booking Agency, the band recently sold out three nights at Chicago’s Aragon Ballroom, two nights at Irving Plaza, San Francisco’s Fillmore Auditorium, and the list goes on.

www.umphreys.com

3.31.2007

Keller Williams Elaborates on his 'Dream'


Before embarking on dream, Keller Williams’ newest, most rewarding recording project, he scratched out a wish list of artists he’d like to collaborate with in the studio. Because Williams, a restless troubadour, has been a fan of and tour mate with so many excellent musicians, his list of names—including lots of musicians he admires most—ran long and ambitious. “It was a totally unrealistic vision,” he says. “The idea was that all we could do was ask, and the worst they could do was say ‘No.’” The amazing thing is, the musicians he asked didn’t say “No.” And that’s how Keller’s dream came true. Partial to one-word titles, Williams coined the album because it best described the experience. “That’s what this record was,” he says. “It was incredibly rewarding.”

Of course, when your dream team consists of outsized talents like Bob Weir, Béla Fleck, John Scofield, Charlie Hunter, Victor Wooten, The String Cheese Incident, Steve Kimock, and more, well, you’re going to encounter an obstacle or two. Scheduling snags held up completion of the album for nearly three years. It took Weir a year to find a date for Keller, but when he did, and he invited Keller into his home studio to do “Cadillac,” Keller found himself living, well, another dream. Likewise for his work with Béla Fleck. Keller and Béla began their collaboration, “People Watchin’,” in the summer of 2004 but it wasn’t finished until two years later. In fact, since this project began, Keller released the double live, Stage (2004), the DVD, Sight (2005), and most recently a bluegrass record, Grass (featuring Larry and Jenny Keel), not to mention hundreds of gigs.

But Keller never gave up on his dream. Armed with gentle persistence and plenty of patience, he slowly but surely started to realize his vision, accumulating a star-studded array of recording partners as the magnitude of the project became increasingly clear. “To be honest, I wasn’t really thinking about public opinion for this record,” Keller admits. “It was all for me. Mostly I just wanted to be able to crank these songs up in my pimped-out golf-cart when I’m 80. Some of these artists are living legends and will be appreciated long after we’re gone. I’m extremely proud right now, but I’ll be even more ecstatic when I’m older and can look back on this record and wonder, ‘How the hell did that happen?’”

dream is miraculous in more than just a logistical sense. To begin with, the material, 16 tracks in all, is unblemished; a cataract of electrifying musical alliances. With Williams’ rapturous innovations and his earthy, barefoot-in-the-park presentation as an anchor, songs like “Celebrate Your Youth” (with his pals in Modereko) and the riveting “Ninja of Love” (with Michael Franti) emerge in an endless fount of mesmerizing entertainment.

Because a handful of his collaborators were six-stringers, many of these tracks find Keller moving his own guitar responsibilities into the shadows, sometimes even picking up the bass instead, which, incidentally he plays surprisingly well. “When you bring in guitar players like Kimock, Hunter, Scofield, and Fareed Haque,” he says, “it doesn’t make sense to compete with them. I’ve always had this dream that I would be the bass player in a power trio with Steve Kimock.” On the magical instrumental “Twinkle” he fulfills that dream as well. “The power trio vision was a short-lived one, but it became a reality.”

On “Kiwi and the Apricot,” Williams’ acoustic rhythms provide a bed for Charlie Hunter’s ample eight-string punctuations. “Charlie came in, heard the song and said, ‘OK, this is how we’re gonna do it,’ which is exactly what I wanted.

Which is another one of dream’s miraculous qualities: Assembling such luminous talent is one thing. Feeding them challenging material is another. Williams refers to his customary writing MO as simple. “Normally, my stuff is like verse/verse/bridge/chorus, verse/bridge/chorus. But in order to be interesting to a world class player like Victor Wooten—a guy who plays 50 to 60 songs by Béla Fleck, complex compositions all infused with classical training—I needed to come up with something a little bit more, uh, difficult.”

For starters, Keller didn’t send any charts or advance tips to his collaborators, choosing instead to let them come up with stuff on their own. Some songs were written specifically for his partners, some were songs that have resided in Williams’ repertoire for years, finally getting a shot at ultimate renditions of those songs. Keller wrote tunes expressly for Weir and Franti, for example, but he let Scofield take a whack of his own at “Got No Feathers,” which also features Wooten on bass and Jeff Sipe on drums. “John does so many things, I really didn’t know what I was going to get,” Keller says. “But he settled right in and like all great musicians he made it his own pretty much instantly.”

Many of the songs on dream have been shaped and reshaped countless times through Williams’ own acclaimed performances. Known, of course, for his astonishing one-man show, he surrounds himself with instruments and pedals and slides from one to the next. While the tunes are rooted in Williams’ warm voice and spirited acoustic guitar, he gives them depth and breadth via looping and delay. Soon he was accompanying himself, looping several instruments, and filling up an entire room with lush layers of sound … just one man and a humongous imagination.

Keller’s been refining this kind of performance art for almost 15 years, logging over 100 gigs annually, and he’s a productive recording artist as well. dream is Williams’ ninth studio release so far. He began recording in earnest back in 1993, after serving time in cover bands in high school and college. He got his first big break in 1997 when The String Cheese Incident gave Keller, a Fredericksburg, Virginia native, an opening slot on their tour, after he volunteered to do it for free. From that point, Williams began to grow an audience of his own, gradually winning fans through non-stop grassroots touring, beguiling performances, and talented and entertaining recordings. His calling card? A creative combination of talent and technology. Dream serves as a culmination of that approach.

“I can only hope that the people who’ve followed my career this far, the audiences and the taping community, are as thrilled about this project as I am,” he says. “From my perspective as a fan, to be able to work amid such greatness was very humbling and it made dream an amazingly human experience.”

Keller Williams / Bob Weir & RatDog Announce Summer Tour


Bob Weir and RatDog and Keller Williams will cross the country this summer, sharing a stage both separately and together, making music and doing what they do best. The tour will begin in Atlanta on July 7th and end in Los Angeles on July 28th.

Bob Weir is a founding member of the legendary Grateful Dead. He founded RatDog as a duo in 1995, and over the succeeding years he has enlisted Jay Lane (drums), Jeff Chimenti (keyboards), Mark Karan (lead guitar), Kenny Brooks (saxophone), and Robin Sylvester (bass). RatDog plays not only Bob’s various solo material but the complete Grateful Dead repertoire, and has evolved from an elegant duo to a snarling beast of a rock band that contains a jazz trio at its heart

Keller Williams has been called guitar’s mad-scientist and a one-man-band for the new millennium. Williams is considered by some, but not by himself, to be a master of the acoustic guitar, known for his ability to solo over layers of spontaneously created loops. He is a generous performer who plays down-to-earth acoustic music that defies any effort to find a convenient pigeonhole. If pressed for a definition, Williams, as adept with language as he is with a guitar pick, calls it solo, acoustic jazzfunk reggae technograss – or simply - solo acoustic dance music.

Sometimes musicians tour together purely because of business. These guys actually like each other, as evidenced by the tune “Cadillac” on Keller’s recently released new album on SciFidelity, Dream , a duet between Keller and Bob. Recorded at Weir’s home studio, it also features an appearance from Weir family retriever Jackson (see the tour advertising design and notice who’s driving the Cadillac!).

Or, as the inimitable Weir said of him, “Keller Williams is more fun than a frog in a glass of milk.” Keller seems to like the idea, too: “I love this tour because I get to get in for free.”

That positive vibe will be felt across the country this summer.

Tour Dates:

July 07 Chastain Park Amphitheatre, Atlanta GA
July 09 Summerstage, Central Park, New York City NY
July 10 Bank of America Pavilion, Boston MA
July 11 Lincoln Park, Lincoln RI
July13 All Good Festival, Marvin’s Mountaintop WV
July 14 Charlottesville Pavilion, Charlottesville VA
July 16 Tower City Amphitheater, Cleveland OH
July 17 Promowest Pavilion, Columbus OH
July 19 Aragon Ballroom, Chicago IL
July 20 10,000 Lakes Festival, Detroit Lakes MN
July 21 Stir Cove at Harrah’s Casino, Council Bluffs IA
July 24 Red Rocks Amphitheatre, Morrison CO
July 25 Paolo Soleri Amphitheatre, Santa Fe NM
July 27 Humphrey’s Concerts by the Bay, San Diego CA
July 28 Greek Theatre, Los Angeles CA

More dates to be announced. Plese visit www.kellerwilliams.net

3.29.2007

10,000 Lakes Festival Confirms The Tragically Hip, Zappa Plays Zappa


Detroit Lakes, MN - March 29, 2007 – The fifth annual 10,000 Lakes Festival (10KLF) held July 18 – 21 at the Soo Pass Ranch in Detroit Lakes, Minn. is quickly becoming the summer’s must attend live music and camping event. Adding artists to its growing lineup, 10KLF announces the confirmation of these groups:

The Tragically Hip
Zappa Plays Zappa
Particle
Blueground Undergrass
Outformation
The Lee Boys
Big Organ Trio
That 1 Guy

Continuing the high standards of musical excellence that festivarians expect, this year’s 10,000 Lakes Festival lineup already features Bob Weir & RatDog, Trey Anastasio, The Disco Biscuits, Umphrey's McGee, moe., Keller Williams, Gov't Mule, Little Feat, The Derek Trucks Band, New Riders of the Purple Sage, Ivan Neville's Dumpstaphunk, Everyone Orchestra, Trampled By Turtles, Pnuma Trio, God Johnson, GypsyFoot, Bump, Mr. Blotto, WookieFoot, The Burnin' Smyrnans, The Heavy Pets, and Moses Mayes.

Additional acts recently confirmed in this round include Kinetix, Stealin' Strings, Down Lo, White Iron Band, Hobo Nephews, The Smokin' Bandits, Unity, Madahoochi, and The Lighterside of Being.

Over the past four summers 10KLF has grown into the Midwest’s premier festival destination through its mix of subdued natural beauty and world class live music. As the most recent addition to the lineup, The Tragically Hip has grown into one of Canada’s most beloved bands over the past two decades by mixing traditional and roots rock, releasing eleven albums and offering intimate connections with its audience.

Zappa Plays Zappa is Dweezil Zappa’s live tribute to the prolific and ‘legendarily intricate’ music of his father, Frank Zappa, with the moniker ‘Accept No Substitutes.’ Performing at the 10,000 Lakes Festival as the group’s only American summer festival appearance, Dweezil Zappa is joined by a hand-picked crew of focused musicians as well as legendary Zappa band alum, Napoleon Murphy Brock, who all perform Frank’s timeless music meticulously.

“I would love to expose multiple younger generations to Frank’s music,” Dweezil says. “There will always be people looking for an alternative form of musical entertainment and I happen to feel that Frank’s music is certainly worth a listen. I really think that younger audiences would be fascinated by it because it’s so different than anything they’re exposed to currently.”

Taking a green approach to powering the festival through a partnership with CLIF Bar and NativeEnergy, the 10,000 Lakes Festival now allows patrons to offset the CO2 emissions of their automobile or airline travel up to the festival by purchasing ‘Cool Tags’ at the online ticket check out. Each Cool Tag invests $2 in NativeEnergy’s WindBuilders program, helping the Rosebud Sioux Tribe build a wind farm on their reservation in South Dakota. Wind farms deliver clean, renewable energy to the grid without releasing CO2 into the air, thereby displacing energy that comes from polluting facilities.

The 10KLF Cosmic Break Tour continues its continental search in March and April for talented independent and unsigned artists to perform at this year’s event. Through a series of regional showcases, five bands square off and the group with the most audience votes receives a festival gig. Bands outside of the Cosmic Break’s ten tour stops may register for a chance to earn a performance slot in the ‘Online Voting Booth’. Cosmic Break Tour and Online Voting Booth info is available at www.10KLF.com

Festival tickets, campground reservations and event details are available online at www.10KLF.com

3.22.2007

The Codetalkers set for "Galaxy Girl" Tour


Rock & roll needs fresh blood to thrive, and it's rarely had a more exuberant, beautifully crafted infusion than Bobby Lee Rodgers & The CodeTalkers, a fiery trio that taps into the primal mojo of '50s pioneers embellished with the captivating twists & turns of hard electric blues, Muscle Shoals soul, fleet fingered acoustic picking, and huge scale epic rock. Founded in 1999, they make a joyous, dizzyingly engaged roar anchored to truly lethal musicianship.

Bobby Lee Rodgers & The CodeTalkers hit the road this spring on a run of shows dubbed the “Galaxy Girl Tour.” The band’s recently recorded new single, “Galaxy Girl,” will be included in the band’s next studio release, slated to hit streets in Fall 2007. In the meantime, look for the song to be available on iTunes, and the video to be on www.grouper.com, www.bliptv.com and www.youtube.com this spring.

The current list of Bobby Lee Rodgers & The CodeTalkers tour dates is as follows:

April 6 Crossroads Huntsville AL
April 7 Locos Savannah GA
April 11 The Nick Birmingham AL
April 12 Martin's Jackson MS
April 13 Rockyard Ft. Worth TX
April 14 Stubbs Indoors Austin TX STS9 after party
April 18 Fox Theater Boulder CO
April 19 Bluebird Denver CO
April 20 Black Sheep Colorado Springs CO
April 26 Winston Beach Club San Diego CA
April 27 Fais Do Do Los Angeles CA
April 28 12 Galaxies San Francisco CA
April 30 Humbrews Arcata CA
May 1 WOW Hall Eugene OR
May 2 Goodfoot Lounge Portland OR
May 4 Flanagan's Whitefish MT
May 5 The Loft Missoula MT
June 10 Indiefest Pagosa Springs CO
July 28 Dogstock Music Festival Melvem KS
August 4 Jerry Bash Terra Alta WV
August 26 Ashefest Asheville NC
September 21 Mulberry Mountain Harvest Music Festival Ozark AK

More dates to be announced.

Bobby Lee Rodgers & The CodeTalkers’ muscular, engaging sound is in full bloom on their latest album, Now, released in summer 2006. Now’s 12 tracks, all original songs written by frontman Bobby Lee Rodgers, run a wild gamut, from the chugging blues of “Saved By The Same Thing” to the Zappa-like “Victor The Snakeman.” There is incredible balance and nuance to Now that draws deeply from the past but also speaks to a bright future. Loud & soft, direct & elusive, the record flows in an organic, unforced manner that’s positively engaging. It’s no longer a secret – the music of Bobby Lee will be heard.

Rodgers is aided & abetted by bassist Ted Pecchio and drummer Tyler Greenwell. The trio has recently been hunkering down in the studio, working on their follow-up to Now. But they’ve also found the time to headline gigs from coast to coast. Their mountain of positive press includes a recent interview with Rodgers on NPR's “Morning Edition."

The band was recently signed to Japanese record label Grey Dog Records. Now will be released in Japan on April 25, and will feature three new tracks and new artwork.

3.18.2007

Leftover Salmon Ends Hiatus


Denver, CO – March 16, 2007 -- Colorado-based Leftover Salmon announces it will return to the stage later this year. Confirmed by a statement today from band manager John Joy the return will mark the end to the band’s 27-month hiatus.

Following the band’s last live performance on New Year’s Eve 2004 in Boulder, audiences nationwide will once again hear the trademark polyethnic-cajun-slamgrass sound that propelled the group from its humble Rocky Mountain beginnings to international critical acclaim.

The returning lineup for Leftover Salmon features Vince Herman (acoustic guitar, vocals), Drew Emmitt (mandolin, guitar, vocals), Jeff Sipe (drums), Greg Garrison (bass, vocals), Bill McKay (keyboards, vocals), and Noam Pikelny (banjo).

The confirmed performances have the band making festival appearances on opposite coasts including the High Sierra Music Festival in Northern California and the All Good Music Festival in West Virginia’s hills.

Confirmed 2007 Performances:

High Sierra Music Festival - Quincy, CA
2 performances: Saturday, July 7 and Sunday, July 8

All Good Music Festival - Masontown, WV
Sunday, July 15

Leftover Salmon was formed by accident in 1989, when a local band, the Salmon Heads, asked members of the Left Hand String Band to fill some missing spots in its lineup. The synergy worked and the resulting quintet went on to pioneer its own genre.

After the independent release of Bridges to Bert in 1993 and the 1995 live follow-up Ask The Fish, Leftover Salmon gained a spot on the H.O.R.D.E. festival tour and a contract with Hollywood Records. Their Hollywood debut and second studio album, Euphoria, continued to define their eclectic sound and introduced many songs that would become classics for the band.

Other releases include The Nashville Sessions (1999) featuring scores of famous Nashville artists and session musicians as collaborators; Live (2002) the first recording with the new rhythm section, O Cracker, Where Art Thou? (2003) featuring Cracker members David Lowery and Johnny Hickman with LS as the backing band, and Leftover Salmon (2004) first studio record since the loss of founding member, banjoist Mark Vann.

Each of the band’s releases cements its contemporary sound with the solid genre-bending fusion of newgrass, folk and blues. Through the course of the initial 15 years of Leftover Salmon has performed music with such contemporaries as Sam Bush, Bela Fleck, David Grisman, Jerry Douglas, Del McCoury, Peter Rowan, Pete Wernick, Col. Bruce Hampton, Oteil Burbridge, Bill Payne, Darol Anger, Mike Marshall, Pete Sears, Todd Park Mohr, Tony Furtado, Theresa Andersson, along with members of the The String Cheese Incident, Widespread Panic, Yonder Mountain String Band and dozens of additional artists.

The band continues to break new ground with its highly energetic live performances and initiate new fans with each show.